Madala Kunene, commonly referred to as the king of the Zulu guitar, lives in a house in the middle of a newly gentrified suburb just outside of Durban in the South African province of KwaZulu-Natal. He is often described as an mbaqanga or maskandi artist—something he personally hates. Kunene is an artist who is constantly shifting between musical habitats. He has no interest in genre specifications and prescriptions. Instead, his brand of blues operates in an opaque space where cool jazz, maskandi, mbaqanga, and a myriad of East Coast blues intersect.