ABOUT
Divas in Concert presents x Untitled Basement presents
Msaki
A voice that holds every room she enters
Sunday 30 August | Doors: 17h00 | Performance: 19h00 | Untitled Basement, 7 Reserve St, Braamfontein | Quicket: R700 | Door: R750
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Few artists move across South African music the way Msaki does. She's as at home fronting a folk ballad as she is riding an electronic beat, as comfortable in gospel-tinged stillness as she is commanding a dancefloor — a songwriter whose voice has anchored some of the country's most defining collaborations without ever losing its own distinct centre of gravity. It's this range that has made her not just a featured voice, but an architect of sound in every space she enters.
Closing HER Season 2, Msaki brings that full range to Untitled Basement — an artist equally capable of intimacy and scale, of vulnerability and command. Expect a set that moves fluidly between the tender and the transcendent, closing out the series with the kind of performance that reminds a room why live music matters in the first place.
ABOUT HER: DIVAS IN CONCERT
HER is Divas in Concert x Untitled Basement's Women's Month live music series, bringing together legendary and emerging South African women artists across nine shows running throughout the month of August. This is the second season of the series, following its debut run in March 2026.
At its core, HER exists to give South African women in music a stage built specifically to hold them — pairing established names with rising voices, and treating each show as both a celebration and a document of the women shaping the country's musical history in real time.
Powered by Divas in Concert. Supported by the Department of Sport, Arts and Culture, Gauteng Province, and the Gauteng Tourism Authority. In partnership with The Heart of Creative Excellence. Consulting partner: Moratuwe Consultants. Online media partner: iQhawe Magazine.
Show info:
Expect two sets of approximately 45-60 minutes each with a 15 minute interval.
This series offers reserved seating only.
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